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But then again, why do we care and feel so much for the knight whose family was murdered by said dragon? As writers, we need to be very careful as to how our characters interact with the audience. Interestingly enough, the article eventually goes on to reference a study that took place, exploring the phenomenon of emotional-regulation. To summarize, the experiment involved the presenting of a video about a gentleman named Ruben, who happened to survive a catastrophic tornado.

Two different iterations were presented to each respective group.

Why We Get Attached to Fictional Characters | itssaraglows

This tells us that stories of overcoming adversity and challenge, are more appealing to people. Metaphorically speaking, a person is able to gamble without the risk. Hypothetically speaking…there is a way to administer doses of oxytocin to people in order to stimulate empathy.

Also on a more serious note, please do not actually try to do that. Nevertheless, the simple answer is to write compelling characters.

How To Make The Audience Care About Your Characters by John Truby

However, the key point to note is each one of the point of views has their own individual strengths and weaknesses. Using rhetoric or diction to enhance characterization. The way we speak can tell others a good deal about ourselves.

As a result, it may just give your character an alluring aura to readers. No one wants to read about another orphaned child who lives underneath the stairs. Readers have been there, done that. Try experimenting a little bit.

There are plenty of other books that have demonstrated this ability with reasonable success. They could simply be on vacation, or away on a business trip…. Use beta-readers to measure how empathetic your characters are.

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It may be best to have a second pair of eyes gloss over your work, preferably a member of your target audience. This article was graciously edited by: Bethany Argerake. Sign in. We feel for them as though they were real. As I was doing research for an essay, I came across a rather fascinating peer-reviewed journal written by a man named Keith Oatley, who likened fiction stories to simulations — simulations that essentially allow people to have emotionally-distant experiences.

These various neurotransmitters are, but not limited to: acetylcholine, dopamine, serotonin, norepinephrine, as well as gaba and glutamate.

Why We Care About Fictional Characters And Why Cote de Pablo's Departure Hurts

But as far as writers are concerned, the most important one of them all is oxytocin. Person A is walking down the street, when all of a sudden, they see person B sitting on the curb crying hysterically. Somewhere along the line, human evolution deemed that feelings regarding pro-social behaviors were going to keep people alive longer. Wanna team up?

As humans, we know that the classic story about a knight slaying a dragon is nothing more than a story.


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But then again, why do we care and feel so much for the knight whose family was murdered by said dragon? As writers, we need to be very careful as to how our characters interact with the audience.

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Interestingly enough, the article eventually goes on to reference a study that took place, exploring the phenomenon of emotional-regulation. To summarize, the experiment involved the presenting of a video about a gentleman named Ruben, who happened to survive a catastrophic tornado. Two different iterations were presented to each respective group. This tells us that stories of overcoming adversity and challenge, are more appealing to people. Metaphorically speaking, a person is able to gamble without the risk.

Hypothetically speaking…there is a way to administer doses of oxytocin to people in order to stimulate empathy. Also on a more serious note, please do not actually try to do that. Nevertheless, the simple answer is to write compelling characters. However, the key point to note is each one of the point of views has their own individual strengths and weaknesses. Using rhetoric or diction to enhance characterization. The way we speak can tell others a good deal about ourselves. As a result, it may just give your character an alluring aura to readers.

No one wants to read about another orphaned child who lives underneath the stairs.